TRUE are a crust/death metal band from Samobor, Croatia. They formed in 2003. What separates them musically from other bands of their genre is an unique mix of death metal and melody of Croatian national instrument called tambura. Tambura is a string instrument, originally coming from Croatian island Brač. The idea of using tambura as a permanent instrument came spontaneously, which later became their style-defining element, and the main point of recognition.
Their first album Plastic World saw the light of the day in 2004. Next album Serum came out two years later, and was officially released in Mexico. Undisputed quality of this material, together with its excellent featured inlay design, secured them very good reviews and various significant local and foreign festival gigs. Third album Still Life is their latest and most impressive effort to date. Just like the first two albums, this one was recorded in their home studio Kotecrude. Mixing and mastering process was conducted by Ivan Jakić, previously known by his work with bands like Usud, Amok, Machine Insufficiency and Don't Mess With Texas.
Includes unlimited streaming of Still Life (2010)
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lyrics
TIME IS PASSING BY
AND I GET LEFT BEHIND
IT'S A RACE WITHOUT MEANING
WITH A PURPOSE TO FIND MEANING
I THINK THAT I AM USING TIME
BUT TIME IS USING ME
WHAT WAS BEFORE
AND WHAT WILL BE AFTER ME
I LIVE FOR NOW
AND NOW IS GONE
SOMEWHERE IN MY THOUGHTS
I'M LIVING THESE MOMENTS AGAIN
IN HOPE TO FEEL THIS WAY ONCE MORE
WHILE MEMORIES SLOWLY FADE AWAY
I HURRY TO FIND NEW MEMORIES
TO HELP ME FORGET HER
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
The Los Angeles outfit, led by Keir Gilchrist of "Atypical" fame, barrel through six molten-hot death-metal tracks with reckless abandon. Bandcamp New & Notable Jan 29, 2020
De l'importance du titre ou Comment une juxtaposition de mots savamment choisis permettra à l'auditeur attentif de repérer chez Old Nick une transition vers un cadre spatio-temporel plus proche de l'ère victorienne gothique, confirmée par les clavecins et cuivres au synthé, mais aussi de parodier le contexte susmentionné, parodie amplifiée par un raw black metal chaotique : un essai au sujet de T.N.O.T.A.A.T.P.B.T.Q.A.S.F.A.B.O.O.T.D.O.S.S.T.T.E.V.H.S mené par Sir Jordan Vauvert en l'an 2024. Jordan Vauvert